
Music 502: Baroque Music
Listening Guide 2
Anthology of Baroque Music
- 66. Francesco Cavalli, Giasone (1649), excerpts, 193-98 [video]
- 67. Antonio Cesti, Orontea (1656), act 3 [aria only],
198-99
- 68. Alessandro Stradella, Moro per Amore (ca. 1680),
"Dimmi Amor," 201-2
- 69. Barbara Strozzi, L'Eraclito amoroso (1651), 204 [video begins at 1m40s]
- 71. Marco Marazzoli, San Tomaso (ca. 1650), excerpts,
206-7
- 72. Alessandro Stradella, San Giovanni Battista, part 2
excerpt, 207-8 [optional]
- 73. Giacomo Carissimi, "Suscitavit Dominus" (1665), 211 [video]
- 74. Isabella Leonarda, "Ave suavis dilectio" (1676), 211-13
- W12. Claudio Monteverdi, Iro's lament, from Il ritorno d'Ulisse
in patria (1640), 192-3 [video]
- W13. Claudio Monteverdi, L'incoronazione di Poppea (1642/3),
act 1 sc. 14, 193 [video excerpt 2] [video excerpt 3]
- W14. Francesco Cavalli, Messa concertata (1656), Kyrie,
209-10
- 75. Jean-Baptiste Lully, Airs pour le carrousel (1686), 220
- 76. Louis Couperin, Tombeau de M. de Blancrocher (ca. 1652), 222 [video]
- 77. Louis Couperin, Prélude, 222 [video]
- 78. Jean de Sainte-Colombe, Concert "Le tendre" (ca. 1670), 223-24 [video]
- 79. Henry Du Mont, Tristitia vestra (1652), 227 [optional]
- 80. Jean-Baptiste Lully, Alceste (1674), act 1, 241-49
- W15. Jean Henry d'Anglebert, Suite in D (1689) [optional], 222-23
- W16. Marin Marais, Suite no. 6 for two viols (1686), 224-25
- W17. Henry Du Mont, "Quemadmodum desiderat cervus" (ca. 1673), 227-28
[optional]
- 81. Carlos Patiño, "Maria mater Dei" (ca. 1640), 261
- 82. Juan Gutiérrez de Padilla, "A siolo flasiquiyo" (1653), 264-66 [video]
- 83. Juan Blas de Castro, "Estávase el aldeana" (ca. 1625), 269-72
- 84. Francisco Correa de Arauxo, Tiento de baxones (1626), 279-80
- 85. Juan Cabanilles, Tiento de falsas, 281
- 87. Gaspar Sanz, Jácaras (1675), 283-84 [video]
- W19. Mateo Romero, "Dixit Dominus" a 8, 259-61 [optional]
- W20. Juan Bautista Comes, "Bien te puedes alegrar" (ca. 1615), 263
- W22. Sebastián Aguilera de Heredia, Tiento de quarto tono, 279
- W23. José Jimenez, Batalla de sesto tono, 280-81 [optional]
- 88. Wolfgang Carl Briegel, "Was frag ich nach der Welt?" (1670), 288-89
[optional]
- 89. Philipp Friedrich Böddecker, "Natus est Jesus" (1651), 290
- 90. Matthias Weckmann, "Zion spricht" (1663), 291 [video]
- 91. Christian Bernhard, "Euch ist's gegeben" (1665), 292-93 [optional]
- 92. Franz Tunder, "Ein feste Burg ist unser Gott," 293-94
- 93. Franz Tunder, "Komm, heiliger Geist," 301 [video]
- 94. Dieterich Buxtehude, Passacaglia, BuxWV 161, 303-4 [video]
- 95. Dieterich Buxtehude, Praeludium, BuxWV 137, 301-3 [video]
- 98. Johann Heinrich Schmelzer, Sonata Natalitia a 3 chori (1675), 307-08
- 99. Johann Rosenmüller, Sonata seconda (1667), 310
- 100. Heinrich Ignaz Franz Biber, Battalia, 311 [optional] [video]
- W24. Dieterich Buxtehude, "Ihr lieben Christen freut euch nun,"
294-97 [optional]
- W25. Heinrich Ignaz Franz Biber?, "Plaudite tympana" (1682), 297-99 [video]
- W26. Pavel Josef Vejvanovsky, Sonata Vespertina (1665), 308 [optional]
- 108. Pelham Humfrey, "Hear, O heav'ns," 359-60
- 109. Matthew Locke, "O be joyful in God, all ye lands" (1664), 360-61
- 111. John Blow, "Lovely Salina" (1683), 363-64 [optional]
- 112. Henry Purcell, "In guilty night," Z134, 364 [video]
- 113. John Banister, The Musick att the Bath (1663) [optional] 367
- 114. Henry Purcell, The Fairy Queen (1692), Act 2, The
Masque of Sleep, 374-75 [video 1] [video 2] [video 3] [video 4] [video 5] [video 6] [video 7] [video 8]
- 115. Henry Purcell, Dido and Aeneas (1689), excerpts,
377-78 [video 1] [video 2]
- W28. John Blow, "God spake sometime in visions" (1685), 361 [video]
- W29. Henry Purcell, Sound the trumpet, beat the drum
(1687), [optional], 1-4, 362
- W30. Henry Purcell, Fantasia, Z737 (1680), 369
- W31. Henry Purcell, Sonata 12, from Sonata's of 3 Parts
(1683), 369
- W34. Matthew Locke, The Tempest (1674), Dance of the
Winds [optional], 372