Music 502: Baroque Music
Listening Guide 1
Anthology of Baroque Music
- 1. Jacopo Peri, L'Euridice (1600), excerpts, pp. 26-31 [video]
- 2. Emilio de' Cavalieri, Rappresentatione di anima, et di
corpo (excerpt) [optional]
- 5. Giulio Caccini, "Torna, deh torna, pargoletto mio" (1602), 35-36 [video]
- 6. Giuseppino Cenci, "Io che l'eta solea," 40 [optional]
- 7. Sigismondo d'India, "Riede la primavera," (1609) 40
- 8. Orazio Michi dell'Arpa, "Su l'oriente" (ca. 1630), 41
- 10. Claudio Monteverdi, L'Orfeo (1607), excerpts, 49 [video] Excerpt 1 begins at 42sec;
Excerpt 2 at 31m42s
- 11. Francesca Caccini, La Liberazione di Ruggiero,
excerpt (1625), 50 [optional]
- 12. Stefano Landi, Il Sant'Alessio (1632), act 1, scenes
2-4 [optional], 51-52 [video]
- 13. Claudio Monteverdi, "Hor che'l ciel e la terra" (1638), 47-48 [video]
- W1. Claudio Monteverdi, "Lamento d'Arianna" from L'Arianna
(1608), 49 [video]
- 15. Girolamo Frescobaldi, Toccata nona (1627), 57-58 [video]
- 16. Alessandro Piccinini, Ciaccona in partite variate (1623) (optional)
[video]
- 20. Girolamo Frescobaldi, Canzon dopo il post comune (1635), 73-75
- 21. Giovanni Paolo Cima, Sonata (1610), 78 [video]
- 22. Giovanni Battista Fontana, Sonata 6 (before 1630), 78-79
- 23. Biagio Marini, Sonata sopra La Monica (1629), 80 [video]
- 24. Giovanni Battista Buonamente, Sonata quarta (1626), 81-82
[optional]
- W2. Giovanni Gabrieli, Sonata con tre violini (1612), 78
- 26. Marco da Gagliano, "Vinea mea electa" (ca. 1610), 95 [optional]
- 27. Lodovico Viadana, "Duo seraphim clamabant" (1602), 96-98
- 28. Caterina Assandra, "O salutaris hostia" (1609), 98
- 29. Claudio Monteverdi, "Nigra sum" (1610), 98-99 [video]
- 30. Giacomo Carissimi, Historia di Jephte
(before 1650), 101-4 [video 1] [video 2] [video 3]
- 31. Giovanni Gabrieli, "In ecclesiis" (ca. 1605), 106-7 [video]
- W3. Alessandro Grandi, "Veniat dilectus meus" (1619), 100 [optional]
- W5. Claudio Monteverdi, Gloria a 7 (1641), 107-8 [optional]
- 33. Pierre Francisque Caroubel, Passameze and Gaillarde
(before 1611), 114, 118-19
- 34. Michel Mazuel, Dances from Ballet du roy (1651)
[optional], 115-116
- 35. "Ma belle si ton ame" (1603), 123 [video]
- 36. Pierre Guédron, "Quel excès de doleur" (1620), 123
- 40. Denis Gaultier, Mode Ionien (1648), 126-27 [video]
- 42. Jacques Champion de Chambonnières, Suite in G major, 129
- 43. Eustache du Caurroy, Unzieme Fantasie sur Requiem eternam (1610),
130-31 [optional]
- 44. Etienne Moulinié, Fantasie (1639), 131 [optional]
- 46. Charles Racquet, Fantasie [optional], 133 [optional]
- 47. Eustache de Caurroy, "Victimae paschali laudes" (1609), 134-35
[optional] [video]
- 48. Guillaume Bouzignac, "Ecce homo," 135-36
- W6. Nicolas Formé, "Ecce tu pulchra es" (1638), 135 [optional]
- 49. Gregor Aichinger, "Tres sunt qui testimonium dant" (1607), 142-3
- 51. Heinrich Schütz, "O quam tu pulchra," SWV 165 (1629), 151-2
- 52. Heinrich Schütz, "Was hast du verwirket," SWV 307 (1639), 152 [video]
- 53. Heinrich Schütz, "Saul, Saul, was verfolgst du mich," SWV 415
(1650), 152-3 [video]
- 54. Jan Pieterszoon Sweelinck, Ricercar del nono duono, 154
- 55. Samuel Scheidt, Fantasia super "Ich ruf zu dir, Herr Jesu Christ,"
156
- 56. Johann Jakob Froberger, Canzon (1649), 157
- 57. Johann Jakob Froberger, Suite in G major (1649), 157-8
- W8. Samuel Scheidt, "Nun komm der Heiden Heiland" (1635), 148-9
- 60. John Jenkins, Fantasia in four parts (ca. 1640), 166-9
- 62. John Dowland, The Frog Galliard, 170 [video]
- 64. Orlando Gibbons, "See, see, the Word Is incarnate," 174 [video]
- 65. John Dowland, "Far from triumphing court" (1610), 175-6
- W9. Orlando Gibbons, Peascod Time [optional]
- W10. Thomas Tomkins, Fancy, 173