
Music 301: History of Western Music I
Review 1: Medieval Music
Chap. 1-6: ancient and medieval music
Basic concepts
Ancient world: gods: Apollo, Dionysus hero: Orpheus
Philosophers: Pythagoras, Plato insts: aulos, lyre
Boethius, 7 liberal arts
Middle ages:
-fall of western empire (476) to fall of eastern empire (1453)
-monophony dominated
-Western liturgy and chant:
mass (ordinary & proper), office (psalmody)
-consolidation of "Gregorian" chant after 800
-rise of notation: unheighted neums (ca. 900), heighted neums,
single, double line, 4-line staff (known by 11c.)
-pedagogy: Guido, hexachord, gamut, Guidonian hand.
-secular monophony: troubadours, trouveres, minnesingers
words emphasize courtly love
-rise of polyphony, mainly performed by soloists
-textbook organum, florid (Aquitanian) organum,
Notre Dame organum: discant, motet, conductus:
(all these developed by 1300 as "ars antiqua")
-Ars Nova (14c): plague, war, papal schism, Machaut, Landini
-isorythmic motet, color, talea, as secular form
-rise of polyphonic secular lyric: ballade, rondeau, etc.
-beginning of polyphonic mass ordinary
-post Machaut (1375-1450) Avignon, complex rhythms and harmonies
Ciconia, Dunstable point way to newer style.
Review terms
Plato psalm tone Guido gamut organum
Pythagoras responsorial hymn hexachord discant
Apollo antiphonal sequence syllabic clausula
Dionysus antiphon trope neumatic conductus
Orpheus ordinary Hildegard melismatic motet
Boethius proper talea color liturgical drama
liberal arts office goliard idiophone aerophone
troubador trouvere minstrel jongleur cantiga
lauda minnesinger isorhythm hocket caccia
long breve semibreve perfection chordophone
Machaut Landini Fauvel membranophone