Outline of Atlas, Renaissance Music, parts 4-6
Part 4: Obrecht, Josquin, Isaac, La Rue, Mouton
18 Pervading Imitation
Josquin (A37), simultaneous composition, summary, p. 258.
(printing, Petrucci 1501)
(19) 1492: Lorenzo, Ferdinand & Isabella
20 Virtuoso motet: text relation: Absalom (A39), Miserere (A40)
symbolism, soggetto cavato
(21) underlay
22 mass developments: paraphrase, "parody"
(Obrecht, Fortuna desperata, A41), paraphrase: Josquin, Pange
lingua A42; (Mouton, Quem dicunt), Requiem mass A43, (alternatim
mass Isaac A44, a cappella tradition)
(23) 1513-1521, Henry VIII, Charles V
24 song: Josquin, canons in Plus nulz regrets A46, La Rue Pourquoi
non (A47), other songs A48-50, frottola A51, A53, villancico
A54-55, German Lied A56-57 Innsbruck
25 Instrumental music
ensemble A58, consorts, keyboard Schlick A59, (lute ricercar)
Part 5: Willaert, Clemens, Arcadelt, Gombert, Morales, Taverner
26 motet: seamless texture, expanded tonality (secret chromatic
art?); parody mass A62, summary p. 412-413 (psalms, scores)
27 song styles: (Netherlandish), Parisian chanson A63-65,
madrigal A66-67, Lied, Senfl A68, (Meistergesang, Sachs)
(28) Michelangelo
(29) music printing, patronage
(30) editing: barring, sources
31 instrumental music in late Ren.: transcriptions, liturgical
A70, variations A71-72, ricercar A73-canzona A75-toccata A76,
dance music A77
(32) Copernicus, Vesalius, Council of Trent
33 Reformation, Lutheran hymn A78, (Zwingli), Calvin,
(Souterliedekens A79)
34 Tudor England, Cornysh, (Eton choirbook), Taverner mass A81
English reformation
Part 6: Palestrina, Lassus, Byrd, Victoria, Tallis
35 modes and polyphony, 12-mode system, chromaticism A83-84,
Zarlino and counterpoint
(36) cooking, architecture, etc.
37 counter-Reformation, Trent, Palestrina A85-86, summary of
Palestrina style p. 596-97; spiritual madrigal, chant
revision, Venice-Gabrieli, Victoria A87, instruments in
church?
38 Words and music; (musique mesuree A88), Lassus A89-90;
madrigal: Rore A91, Marenzio A92, Wert, Monteverdi;
canzonetta, balletto, Ladies of Ferrara
(39) Spanish Armada, ghetto
40 Elizabethan England: motet A95, Byrd masses, service and
anthem A96-97, consort song, madrigal A98-99, lute song
A100, consort music A101, in nomine, keyboard A102
epilog renaissance reality?, Busnoys the time traveler