Outline of Atlas, Renaissance Music, parts 1-3
Part 1: Dunstable
1 The English Sound
Dunstable, (Power, Old Hall MS), fa-burden, free motet (A1),
carol (A5)
(2) Constance
3 Low Countries: Ciconia (A8), O rosa bella (A9-10),
summary pp. 41-2.
(4) Notation review
Part 2: Dufay, Binchois
5 French Song: Ballade: Revellies vous (A11), Rondeau: Adieu
m'amour (A12), cadences, performance practice, Binchois (A13)
(6) Humanism
7 Motet: isorhythmic Nuper rosarum (A14) "tenor motet" Ave Regina
III (A15), influenced by cyclic mass (Dufay's life)
(8) Documents
9 Cyclic mass, (Power, Caput), Se la face ay pale A18; Summary,
p. 127: mass composition, rationale.
(10) Fall of Constantinople
Part 3: Ockeghem, Busnoys
11 Abstraction: Busnoys, Ockeghem: Mass L'homme (A21),
motet: In hydraulis (A23), Ockeghem Missa prolationum (A24)
mensuration canon, (Trent, Chigi) Ockeghem, Fors seulement (A25),
other complexities
(12) Documents
(13) Patronage
14 Song: Busnoys (A27) acrostic, combinatory (A28), (chansonnieres
A30), A31
(15) Charles, Lorenzo
16 Instruments, theory: Transcription (A34), fantasia (A35),
basse dance (A36), Tinctoris, Ramos
(17) Musica ficta, cadences